In the game you are the conductor, who will be conducting an orchestra across a number of iconic classical and jazz masterpieces. While doing this you will be playing a rhythm game mixing light and strong notes you need to follow with your baton, bringing in sections of the orchestra by pointing at them and requesting a crescendo/decrescendo by raising or lowering your hand.

This will see you conducting seventeen songs in total, including the likes of Tchaikovsky’s Swan Lake, Camille Saint-Saëns Danse Macabre, Louis Prima’s Sing, Sing, Sing and Richard Wagner’s Ride of The Valkyries. Only a set amount of songs will be unlocked as you start but, they will all be unlocked before you get the bottom of the song list. You will also start with a standard theater, baton and costumes for your orchestra. While playing through the songs you unlock an additional three batons, three stage sets, three looks for your hands and four more stage costumes. These unlocks will cover a New York Street, the French Revolution and a grand hall – with the additional costume being a modern relaxed look.

The majority of the time I played for the review, this was done on normal difficulty, which is very entertaining and makes you feel like a conductor. Putting together the different notes, pointing to the section of the orchestra you want to join in and requesting a crescendo or a decrescendo really feels fluid even on normal difficulty. Moving onto hard difficulty and it really does ramp up, as it starts to add mixing more than one action at time. With you having to manage to hold crescendos and decrescendos notes in your peripheral vision while concentrating on following the flow of the notes with your baton. Personally I found this quite hard to pick-up and still not got this down perfectly in my time trying it for the review – but, the challenge is something that is welcomed on rhythm games.